[Ebook] ➧ Mizoguchi and Japan Author Mark Le Fanu – Thisbookse.co

Mizoguchi and Japan files Mizoguchi and Japan, read online Mizoguchi and Japan, free Mizoguchi and Japan, free Mizoguchi and Japan, Mizoguchi and Japan 2a91caac7 For A Majority Of Filmgoers, The Names Most Usually Associated With Classic Japanese Cinema Are Those Of Kurosawa And Ozu Yet During The Early S, At The Same Time That Kurosawa Was Becoming Known To The Public Through The Release Of Classics Such As Rashomon And The Seven Samurai, Another Japanese Director, Kenji Mizoguchi, Quietly Came Out With A Trilogy Of Films The Life Of Oharu, Ugetsu Monogatari, And Sansho The Bailiff That Are The Equal Of Kurosawa S In Mastery, And That By Any Standard Rank Among The Greatest And Most Enduring Masterpieces Of World Cinema Despite Mizoguchi S Extraordinary Qualities As A Filmmaker, This Is The First Full Length Study In English Devoted To His Work In Over Twenty Years Mark Le Fanu Eloquently Demonstrates That Mizoguchi S Films Are As Vibrant Now As They Were In His Heyday, And That The Director Richly Deserves The Praise Lavished On Him By The French Film Review Cahiers Du Cinema, Which Recently Hailed Mizoguchi As The Greatest Of All Cineastes

10 thoughts on “Mizoguchi and Japan

  1. says:

    Mark Le Danu s book Mizoguchi And Japan 2008 is a great resource for understanding the director s contributions to Japanese cinema and analysis of his major films Le Fanu makes his case for Mizoguchi among the pantheon of the world s great directors and gives context of his work and looks closely at some of the trends and motifs in his work For example he starts out discussing his three masterpieces The Life of Oharu 1952 , Ugetsu 1953 , and Sansho the Baliff 1954 , in The Great Triptych This is followed by discussions of his films that deal with prostitutes and Geisha in the chapter Geisha, Prostitution, and the Street Here he discussed the following Osaka Elegy and Sister of Gion both 1936 , The Straits of Love and Hate 1937 , Women of the Night 1948 , Gion Festival Music 1953 , The Woman of Rumor 1954 , and Street of Shame 1956 In Visions of History Le Fanu discusses his historical based films such as The Loyal 47 Ronin 1941 2 , Crucified Lovers 1954 ,The Empress Yang Kwei Fei 1955 , and Tales of the Taira Clan 1955.Le Fanu also discusses the films that Mizoguchi made about respectable women, for example, The Loveof Sumiko the Actress 1947 , My Love Has Been Burning 1949 , A Picture of Madame Yuki 1950 , Miss Oyu 1951 , and The Lady from Musashino 1951 LeFanu addresses many aspect of Mizoguchis films aside from thematic content such as his long drawn out one scene takes that is his forte and stylized Japanese acting among other topics It is an informative and well researched look at one of Japan s master filmmakers.

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