[Epub] ❤ Book of Rhymes: The Poetics of Hip Hop Author Adam Bradley – Thisbookse.co

Book of Rhymes: The Poetics of Hip Hop summary Book of Rhymes: The Poetics of Hip Hop, series Book of Rhymes: The Poetics of Hip Hop, book Book of Rhymes: The Poetics of Hip Hop, pdf Book of Rhymes: The Poetics of Hip Hop, Book of Rhymes: The Poetics of Hip Hop abd4fdaab4 If Asked To List The Greatest Innovators Of Modern American Poetry, Few Of Us Would Think To Include Jay Z Or Eminem In Their Number And Yet Hip Hop Is The Source Of Some Of The Most Exciting Developments In Verse Today The Media Uproar In Response To Its Controversial Lyrical Content Has Obscured Hip Hop S Revolution Of Poetic Craft And Experience Only In Rap Music Can The Beat Of A Song Render Poetic Meter Audible, Allowing An MC S Wordplay To Move A Club Full Of Eager ListenersExamining Rap History S Most Memorable Lyricists And Their Inimitable Techniques, Literary Scholar Adam Bradley Argues That We Must Understand Rap As Poetry Or Miss The Vanguard Of Poetry Today Book Of Rhymes Explores America S Least Understood Poets, Unpacking Their Surprisingly Complex Craft, And According Rap Poetry The Respect It Deserves

10 thoughts on “Book of Rhymes: The Poetics of Hip Hop

  1. says:

    The problems with Adam Bradley s Book of Rhymes The Poetics of Hip Hop Where do I start That the only references to female MC s are 2 sentences about Lauryn Hill, and one reference to Mc Lyte, Roxanne Shante, Sha rock, and Jean Grae That there are no count em no references to Queen Latifah, Salt and Pepa or Spinderella , The Mercedes Ladies or TLC Or that his choice in hip hop is so throughly modern, as in his slavish defense of lil Wayne at a time where millions of black people aren t interested in defending him No, the one that sticks out for me is that Bradley is eager to defend the use of metaphor in Lil Wayne s music and eager to excuse his proclivity for threatening to shoot a pregnant woman in the stomach Early on he recognizes that the lyric s he s defending are vile, but asks the reader to excuse them in the context of society, and find the meaning that extends beyond the offensive surface Like so many comfortable, educated thirty something hip hop acedemics, Bradley wants the world to recognize every bit of his culture s humanity without granting a bit of humanity to anyone else His defenses to paraphrase what George Orwell once said of Auden s spain are written by someone who Death, Crack, trauma and Rape are at most words a brand of amoralism only possible of you are the kind of person who is always somewhere else when someone is killing a loved one, destroying a community with drugs, sexually assaulting a woman, or tormenting a tortured, tortured people.In a sense, the marriage of mainstream hip hop and mainstream academia is a perfect one in it s toxicity Both are populated by a majority of men who like their horror core Roth, Mailer, Seidel, Baraka Weezy, eminem, rick ross, and now kanye will stop at nothing to defend it, and will stop at nothing to castigate anyone who tells them otherwise Their union in Book of Rhymes follows in both traditions in that it is a love letter to something that so many people hate less an intellectual exercise than a highbrow example of the psycho sexual masculity that has plagued liberalism from Cleaver to Clinton s 08 primary it is not only to paraphrase Orwell again playing with fire without even knowing the iron is hot , it is kindling the damm fire.

  2. says:

    He s trying to get people who respect poetry to respect rap music as a poetic form and at the same time he is trying to encourage hip hop heads to take the vocabulary that already exists for discussing poetry and use it to improve how we talk and think about rap Where these audiences overlap is hard to say, but I do think he mostly succeeds, and he does get into than just the literary and poetic terminology we learned if we d paid attention in high school English It is also fun when he draws from ancient poetic practices like Scottish kenning and ancient Greek capping to make his points Although he is careful about race and doesn t make the mistake of white washing rap, he shies away from discussing class or advocating poetry programs in the hood and I feel that he missed an opportunity there He has a bit of a conservative bent throughout in that he doesn t address the politics of hip hop at all, but maybe that s good seeing as how he lists conservative grump Henry Louis Gates Jr Henry Louis Gates Jr as a mentor in the acknowledgments Lastly, the biggest problem with this book is the complete lack of women They have simply been cut out of the story Considering that, the entire thing becomes an apology for rap s misogyny something like I know this stuff is super sexist but check out the assonance in this verse

  3. says:

    Useful book as a starting point for my English literature dissertation focusing on hip hop lyrics I read this in the hopes it would give me some grounding for the literary analysis of rap, especially because I m not particularly good at analysing poetry full stop, and it met my expectations on that I m sure I will be referring back to my notes from this as I get further into my research Easy to read, and although it goes into technical, poetic terms which is obvious from the title it does so in a way that is fairly simple to understand As a hip hop 101, manual esque book it is a comprehensive introduction for someone studying, or just interested, in rap from a poetic perspective

  4. says:

    Disclosure I m into poetry and prosody, wrote my masters thesis on poetry, and also am deeply interested in and ambivalent about hip hop as a poetic form Not only is hip hop a the only poetry that is popular in the marketplace it s gone a long way to reshaping the scene of popular american songcraft as well Many interesting things to be said about it, and I am ready to get into that conversation So the good thing about this book is that in reading it, I got to spend a lot of time reading through hip hop lyrics with an enthusiastic guide, and it did deepen my appreciation for a lot of what s going on in the hip hop tradition and it is a tradition Just getting exposed to a collection of lyrics, all in one place, putting different eras and artists side by side, is valuable mind food.The bad news is that this enthusiastic author, while cheerful and well meaning, makes almost NO COHERENT CONCEPTUAL CONTRIBUTION to our understanding of hip hop or its prosody He is basically just pointing and saying, Here s something else cool He invokes traditional poetry tropes like alliteration or rhyme, but without a good understanding of why these techniques are worth using, in either poetry OR hip hop So shallow Dude has a PhD from Harvard but delivers maudlin old chestnuts about rhyme you could get from the Sound Sense textbook in high school Some hip hop rhymes are weird and interesting some are frankly boring and childish This book makes no distinction.In terms of hip hop s content problem e.g rampant, systematic misogyny and homophobia he mounts a weak, half hearted defense On the matter of the hip hop tradition of a speaker with exaggerated braggadocio, there s a ton of interesting stuff to say going back through the blues and beyond, and he does at least gesture in the direction you would want to go if you wanted to really engage with that issue Civil rights history, Jim Crow, masculinity, New Orleans, music economics But he s certainly not going to go there himself It s probably an OK book for a lay reader with little exposure to poetry or poetics beyond Sound Sense , but even that hypothetical reader will come away from this book, I think, strangely lacking any new critical tools Rappers make a lot of creative rhymes They sure do Still, the book provides a mean to pay attention to something that s worth paying attention to, it s sympathetic to the subject, and it covers a lot of ground So as far as the beginnings of some kind of sustained critical intellectual attention to hip hop go, I guess it s a start.

  5. says:

    Good Is Rap poetry Can it be How These are the main questions Adam Bradley answers in this book He does the job well though I was already convinced of Rap s poetic nature before picking this up and is successful for the most part There are moments when I thought he was stretching it a little, or saying something that applied to not just Rap but to any creative endeavor So when talking about Biggie and Tupac s different styles, he says, If we listen to them on their own stylistic terms, however, we can judge them against the forms of excellence to which they aspire 132 Yes, that s true for any art e.g we don t complain about a fairytale that there are magical things going on Or Rap is a vernacular art, which is to say that it is born out of the creative combination of the inherited and the invented, the borrowed and the made But what creative anything doesn t combine the inherited and the invented Overall, though, the book is illuminating and clearly argued What I was most drawn to were the chapters on rhyme especially the innovations Rap has made over the years and signifying, which for Rap consists of dissing and braggadocio One particularly striking example of the kind of rhyme only Rap can do is what Bradley calls transformative rhymes whereby the rapper transforms the pronunciation to make it rhyme with another word So Tupac on So Many Tears has these lines My life is in denial, and when I dieBaptized in eternal fire.He makes fire rhyme with denial by pronouncing it like file Mind Blown.Or take this from Kanye s Can t Tell Me Nothing Don t ever fix your lips like collagenTo say something when you re gon end up apolagin Or how he makes writers rhyme with ideas by distorting the former wry tears This is definitely something literary poetry can t do or not as easily.As for the chapter on signifying, it was especially interesting to learn that the latter was firmly rooted in black American culture, in the ritualized exchange of insults called dozens and the exaggerated stories people tell in prisons or at barbershops called toasts which is reminiscent of Beowulf The part about dozens, incidentally, struck home for me personally because it put in perspective one of my black friends behavior back in college he always had comebacks to ANYTHING One thing to note is this is not a book about HOW to rap, but about the similarities Rap shares with traditional, literary poetry.So if you re interested in finding out how Rap could be poetry, this book is for you.

  6. says:

    BOOK OF RHYMES by ADAM BRADLEY..Literary scholar Adam Bradley s new book BOOK OF RHYMES demonstrates the connection between old school literary poetry and the rhymes of today s lyricists Bradley utilizes a litany of lyrics and classic lines of poetry to support his claims Each chapter is packed with analysis and anecdotes The chapter titles are poetic devices Rhythm, Rhyme, wordplay, Style, storytelling and signifying Citing lyrics from Big Daddy Kane, Eminem, Nas, Jay Z, Lauryn Hill, Rakim, KRS One, Outkast, Lil Wayne, as well as poets like Lord Byron, Milton, Shelley, Shakespeare, Yeats, Langston Hughes, Derek Walcott, T.S Eliot, Robert Frost, Wallace Stevens and Edgar Allen Poe, Bradley sheds light on the poetics of hiphop with a meticulous eye He is one of the few people alive that knows Samuel Taylor Coleridge s THE RIME OF THE ANCIENT MARINER and Sugarhill Gang s RAPPERS DELIGHT both utilize the ballad form and similar methods of storytelling The book is the perfect blend of being accessible to every man and still deliver intelligent analysis for the graduate students Bradley has a PH.D in English from Harvard and is equally versed in hiphop lyrics and classical poetry Those serious about poetry, hiphop or both will appreciate the comprehensive history presented and well timed examples Bradley makes a great case that rappers rank among the greatest public poets of all time Whether he s breaking down Shakespeare s similes, puns by John Donne, how Lauryn Hill and John Milton use alliteration or how Jay Z uses metonymy, Bradley offers a fascinating read for heads and academics.

  7. says:

    I wanted this book to either teach me the technicalities of rhyme in an entertaining way or teach me about the history of rhythmic structures in rap, but it was mostly disappointing on both counts It would be better attached to a freshman poetry class with a professor going into detail where Bradley falters In fact, I got the feeling this book was written for freshman poetry class It was also written for people who don t actually listen to rap from the horrible intro describing what a rap show is really like. the smoke fills the room blah blah blah to the arguably off topic defense of violent, sexist lyrics The good parts were when Bradley devoted some detail to specific verses The great parts were when he quoted from the rappers themselves Which leads to the conclusion that I got what I deserved Reading this subject matter when written by an academic is LAME.

  8. says:

    Disappointing, to say the least This book, which claims to be about the poetics of hip hop, is in fact a very pedestrian, shallow look at the most obtuse and evident aspects of hip hop He dedicates 40 pages to repeatedly explaining the concept of rhythm Really dipping into the platitudes too in having the chapter on wordplay be straight up explanations of fairly evident lyrics Disappointing to say the least, a decent primer for the non listener but for anyone who has heard a hip hop track and at least understood the basics, this will be a slow read.

  9. says:

    Looking back at the Humpty Dance it s hard to take hip hop too seriously as a form of poetry by reading this book, though, you ll see a good argument made for the seriousness of hip hop and rap the true meaning and intensity of these lyrics It gives good reasons as to why these are some of the most important developments in poetry in the last thirty years.

  10. says:

    Very deep analysis of both rap s close connection to poetic forms and devices and the stylistic differences that distinguish MCs, like voice, flow, subject matter, etc I felt like he could have gone into some other aspects of hip hop culture like live performance, collaborations, remixing but otherwise, solid book Definitely listen to the tracks he mentions as you re reading.

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